Archive for the Joe Gibbs Category

I Roy – Trust No Shadow After Dark (1979)

Posted in Bunny Lee, Channel One, I-Roy, Joe Gibbs, Riddims with tags , , , , on August 17, 2017 by 1960s: Days of Rage


“The late, great I Roy will forever be remembered for his phenomenal work for producers like Gussie Clarke, Lee Perry and Bunny Lee. Or his association with the Channel One studio. Or his famous feuds with Prince Jazzbo, which were recorded and released in a series of very entertaining records. Or maybe even for the tragic end of his life: when I Roy left this world he was suffering from ill health, was homeless and had just found out his son was killed in prison. Being the legend he was, all material recorded by the man is definitely worth checking out, but in all fairness: his greatest work was captured by other producers and he won’t be remembered for his output for Joe Gibbs. I Roy didn’t record much for Joe to begin with, a few good tunes here and there and an album produced by Bunny Lee in 1979 (which is pretty good, Johnny Clarke sings the melody parts) and that’s it. That said, this recording from 1975 is quite a gem. I Roy sounds upbeat and seems well at home riding the awkward stepping riddim, which updates the Meditations’ ‘Woman is like a shadow.’ Laughing, growling and toasting his way through the track, this makes for one of the finer obscure I Roy records out there. It’s one of those overlooked recordings that turn out a catch when you find it and makes you wonder why it isn’t featured on more compilations out there. In the case of I Roy the answer to that question might be because his back-catalogue of hits is just too large and this isn’t one of them. Don’t let that bother you, though. It makes it all the more worthwhile to track this 7 inch down. …”
Pressure Beat (Audio)
YouTube: Trust No Shadow After Dark

Prince Allah – Naw Go A Funeral + Version (1978)

Posted in Dub, Joe Gibbs with tags , on July 28, 2017 by 1960s: Days of Rage


“Keith Blake (born 10 May 1950), better known as Prince Alla (sometimes Prince Allah or Ras Allah) is a Jamaican roots reggae singer whose career began in the 1960s, and has continued with a string of releases into the 2000s. Born in St. Elizabeth, and raised in Denham Town, Kingston, Jamaica, Blake’s career began in the vocal group The Leaders with Milton Henry and Roy Palmer, who recorded three tracks for producer Joe Gibbs in the late 1960s. When The Leaders broke up, Blake continued to work with Gibbs, who issued his debut solo release, ‘Woo Oh Oh’. Blake had been interested in the Rastafari movement since he had a vision as a child, and in 1969, Blake’s Rastafarian faith saw him get heavily involved in Jamaica’s camp community, withdrawing from the music scene and living in Prince Emmanuel Edwards‘ camp at Bull Bay. …”
Wikipedia
YouTube: Naw Go A Funeral + Version

Ronald And Karl – Things Not So Nice (1978/79)

Posted in Errol Thompson, Joe Gibbs with tags , on June 26, 2017 by 1960s: Days of Rage


“Who are Ronald & Karl? The credits on the 7″ don’t reveal a thing and books nor internet does much to help me either. To my knowledge this is the only song the obscure duo ever released and although it’s a bit thin on the lyrics front, this 7″ is one of my favorite discs coming from the studio’s of Gibbs. The reason for that is the riddim, which is a real heavy stepper, 1978/1979 style. The playful piano enlightens it a bit and perfectly matches the nursery rhyme style of singing. Errol Thompson’s dub is the real winner here. The way he plays with the riddim is just sublime: fades, echoes, drops and reverbs: they all add to the already powerful riddim. I can’t help myself, I just keep playing it over and over and over again. Ronald & Karl… Karl Bryan? Like I said, haven’t a clue…”
(Audio)
YouTube: THINGS NOT SO NICE

Mikey Dread – Friend & Money (1978)

Posted in Dennis Brown, Joe Gibbs, Mikey Dread, Studio One with tags , , , on May 15, 2017 by 1960s: Days of Rage


“Although he did record quite a few tracks in the Joe Gibbs studio, Michael Campbell, (1952 – 2008) better known as Mikey Dread, did not release much of his tracks through any of Joe’s imprints. ‘Friend and money’ is the only one I’m aware of, actually. The song was released on 7″ in 1978 on the Errol T label, riding an update of the ‘Money in my pocket’ riddim which is, well to me personally anyway, more interesting than the toast itself. Although not half bad – it is actually pretty good in its own right – ‘Friend and Money’ suffers a bit from the stiff competition put up by other epic Mikey Dread tracks out there. It’s a great catch as a supplement to your existing collection, but it won’t stand out as the best track in there. That said, this Mikey Dread track is still highly enjoyable for its lyrics, the familiar nasal sound of Mikeys voice and the great riddim update that The Professionals laid down for this take. This track was also released on the ‘Original DJ Classics Vol 2 sampler (lp), that was released on the Rocky One imprint in the 1990’s. Being an avid funk fan as much as I am a reggae fan, I can not deny the influence one scene has on another, and on this 7″ right here, things merge beautifuly and splendidly. A sound commonly heard in the late 70’s funk/disco era was the tweaked and flanged-out sound of the Fender Rhodes and that sound, or a hint towards it at least, can also be heard on the flip of this Mikey Dread single. ‘Bubbler in Money’ is nothing short of a pure funk anthem. One that should easily be able to satisfy fans of, for instance, Larry Youngs’ ‘Turn off the lights or the Ohio Players’ ‘Funky Worm.’ This keyboard heavy sound was recorded and utilized more often at the Gibbs studios in the late 70’s and early 80’s, many of which can be found on the ‘Majestic Dub album, which is, sadly, not as majestic as the title suggests. It’s an album worthwhile checking out for some impressive versions that add some to the more common and familiar styles and versions out there. Why they didn’t include ‘Bubbler in Money’ on there shall forever remain a mystery though. It’s the best version in that particular style they got…”
Pressure Beat (Video)
YouTube: Mikey Dread & Dennis Brown – Friend & Money

Jullian / Unforgettables – The Gardener, 3rd & 4th Generation – Version

Posted in Joe Gibbs, Judy Mowatt with tags , on April 30, 2017 by 1960s: Days of Rage


“The link between the Memphis based Stax label and the Kingston studio’s has always been tight. Inhouse band Booker T and the MG’s and the label’s fine catalogue of southern soul singers were very influential on the reggae scene and, if you dig deep enough, you can find a large share of Stax’ output in a Jamaican version. The love was mutual, apparently, as Stax headhoncho Al Bell visited the island quite often to vacation and visit the studios. It’s without doubt that these visits must have made an impact on the boss, but whether or not he stole, lent or borrowed the bassline of the Harry J Allstars’ ‘Liquidator’ for his Staple Singers’ “I’ll take you there” shall forever be open to debate. The court ruled ‘no’, Al Bell played the “coincidence” card, Harry J stated that mr. Bell personally took several copies off of him and this fine article on Stax even claims divine intervention. Bickering aside, though, it seems accurate to state that both scenes mutually benefitted and influenced each other. Copyright infringement and reggae unfortunately go together like chicken and rice. You don’t have to be a serious collector to encounter a label that reads ‘adopted’, when the song is clearly a cover, or, even worse, producers themselves claiming the control. Joe Gibbs was no exception, but on this release he plays fair game. Copyright-wise that is, because the singer is hiding behind pseudonyms for legal reasons. The Gardener is both credited to Jullian and The Unforgettables.

Scoring hits with “Silent river runs deep” and “Son of a preacher man” with the girl fronted rocksteady/early-reggae outfit The Gaylettes, Judy Mowatt was asked to leave the group because she was pregnant. Singing and pregnancy didn’t combine, they believed at the time, so she embarked on a solo career. She linked up with Bunny Wailer for whom she wrote several songs, including ‘Reincarnated soul‘ (b-side to ‘Concrete Jungle’) which is credited to her alias Jean Watt, and she recorded under the Julie Anne / Julian / Jullian monniker for Sonia Pottinger, Byron Lee, Joe Gibbs and Duke Reid (for the latter she sung a version of ‘Woman of the ghetto’, which was credited to Phyllis Dillon in the UK.) Although a great songsmith in her own right, Judy regularly visits other artist’s songs on her records and the Gardener is one of them.

Judy Mowatt would join Bob Marley’s I Three’s shortly after this song was recorded, but, no, the “We Three” credit on the label is not a prophecy. The Gardener was originally recorded by the Staple Singers and featured on their “We’ll get over” album, which, incidentally, was released by Stax in 1969. The song was penned by Homer Banks, Bettye Crutcher and Raymond Jackson. Homer teamed up with his fellow writers after his career with the Soul Consolidators failed to take off. Although he’d written successful songs for others before, it was the threesome that would write the biggest hits. Sure shot knock-outs such as Johnny Taylor’s “Who’s making love” and Isaacs Hayes’ “If loving you is wrong” would eventually earn them the epithet ‘We Three’. With a production team that strong, it makes sense for Jullian to stick to their style sheet closely. Which is exactly what she did and to great effect. The Gardener is a perfect example of Memphis meeting Kingston, of southern flavor meeting yard vibes and of reciprocal inspiration. The results, on both sides, are golden.”
Pressure Beat (Video)

YouTube: The Unforgettables – The Gardener

Joe Gibbs ‎– Dub Serial (1973)

Posted in Dub, Joe Gibbs with tags , on April 21, 2017 by 1960s: Days of Rage


Greensleeves is re-releasing the first and long lost dub set by one of our alltime favourite producers Joe Gibbs. Originally issued circa 1973 alongside other classic early dub sets including Lee Perry’s Black Board Jungle and Rhythm Shower, Herman Chin-Loy’s Aquarius Dub, Randy’s Java Dub (mixed by Errol Thompson), Prince Buster’s The Message Dubwise and others. Virtually unheard since that time, it’s a dubhead’s dream come true, with early raw drum and bass cuts to Gibbs’s cut to Satta Massagana, Love Me Girl, Money In My Pocket and the killer cut to He Prayed used by Big Youth for his Foreman Vs Frasier. Spare on the effects, just a bit of echo and reverb and a couple of vicious tape rewinds. If you dig Joe’s African Dub chapters, you’ll need this album too. Dub Serial can also be found on cd in the boxset Evolution Of Dub Vol.1, also on Greensleeves.”
Elephant Soundsystem
YouTube: Dub serial 34:45

Jah Walton – Gourmandizer / Mighty Two – Mandizer Rock (1976)

Posted in DJ, Joe Gibbs, Pressure Sounds, Riddims with tags , , , on April 7, 2017 by 1960s: Days of Rage


“I once saw some raw footage of a, sadly unfinished, documentary about life in Jamaica. The snippet showed an elderly, proud rastaman who declared that it’s nearly impossible to die of starvation on the island. The country indeed produces a very rich and great variety of fruits and vegetables and it may come as no surprise that many also have a song of praise to their name. The mighty Gourmandizer is one such tune. Gourmandizer also marked the debut of a new dj on the scene. Born in St. Ann, a son of the legendary drummer Count Ossie, the consistently sharp dressed Jah Walton quickly made waves with his vegetarian lifestyle promosong and never looked back. … After which the Joe Gibbs version of the ‘Unchained’ riddim is unleashed (a next cut to ‘Schooling the beat’ off of African Dub part I) with Jah Walton explaining he ‘nah deal wid pork.’ It’s hard to believe this is the first recording of this dj, as it is delivered in such a fine and confident style, you’d expect the man on the mic to be more experienced. I guess it’s fair to say Jah Walton is a natural talent. …”
Pressure Beat (Video)
YouTube: Jah Walton – Gourmandizer