Lee Perry Presents: Dub Treasure From The Black Ark (Rare Dubs 1976-1978)


“Jamaican Recordings dust off a prime box of rare Lee Perry tricks, apparently from the Black Ark circa 1976-1978. The Black Ark was in operation from 1974 until the early ’80s when it suffered an unfortunate, and some might say inevitable, demise. Located in Perry’s back yard at 5 Washington Gardens, Kingston, JA, the studio’s equipment was modest compared with other setups on the island – including a Teac 4-track recorder, soundcraft mixing desk, Echoplex delay and phaser FX with a Roland RE201 Space Echo, but of course, it’s not what you got, it’s what you do with it that counts! And Lee ‘Scratch’ Perry made some of his most definitive tracks during this period, surrounded by an ever increasing circle of nyabinghi-playing Rastas. It’s that drumming and the sense of ‘whooshing; psychedelic space that defines the 16 tracks from this era and sets this body of work apart from the rest of his catalogue. Check out for the frivolous vibes of ‘Party Dub’, the tumbling dubble time syncopations of ‘Hot A Hot Dub’ or the CD only bonus cut ‘Baby Talk’, featuring the recurring (and occasionally disturbing) theme of babbling babies set amidst breathtakingly dynamic and dextrous FX. Killah sound.”
Boomkat

“Lee ‘Scratch’ Perry’s Black Ark Studio opened its doors in 1974. Situated in his backyard at 5 Washington Gardens,Kingston, Jamaica. Using only basic equipment, a Teac Four-Track Recorder, a Soundcraft mixing desk, an Echoplex delay unit and later adding a Phaser effects unit that he used in conjunction with his Roland RE201 Space Echo. He managed mixing down the tracks from Four track to Two track to make his distinctive whirling sound that sets apart the Black Ark Sound from the other Jamaican Studios. Born Rainford Hugh Perry, 28 March 1936, Hanover, Jamaica. He began his career at the grand age of 16, working for Clement ‘Coxsone’ Dodd’s sound system, rising quickly to the position of record scout and organising recording sessions during his 3 year period 1963-1966. Restlessness and unsatisfied with credit he felt due to him he moved on to work with Producers J.J. Johnson and Clancy Eccles, the later of which would help him set up his ‘Upsetter’ label in 1968,which would see his first of many recordings telling the injustices done to him by previous employers. ‘The Upsetter’ track itself pointed at Mr Dodd but reflected back to Perry when he inherited it as a nick name alongside many others during the course of his career, including ‘Scratch’, again taken from one of his recordings ‘Chicken Scratch’ recorded in 1965/1966. …”
Jamaican Recordings

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YouTube: Dub Treasures From The Black Ark Rare Dubs 1976-1978>/a> 50:15

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One Response to “Lee Perry Presents: Dub Treasure From The Black Ark (Rare Dubs 1976-1978)”

  1. More like Dubious Treasures: very few of the tracks here are actually from the Black Ark, they are not rare, and they have all been remixed in a clumsy effort to sound like Lee Perry dubs.

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